Born in Moscow, she graduated as best student of the year in 2018 from the Tchaikovsky National Conservatory in Moscow under the mentorship of Professor Anatoly Loshak. During her conservatory years, she also made her international debut as Laura in Tchaikovsky’s Iolanta (2015, Festival Aix-en-Provence; 2016 Opéra National de Lyon) staged by Peter Sellars, conductor Teodor Currentzis (2015), Martyn Brabbins (2016).
In 2016 she won the First Prize at the I International Mozart Opera Competition in Granada and, as a result, in 2017 she made her debut at the Auditorio Manuel de Falla in the role of Dorabella in Così fan tutte, conducted by Giancarlo Andretta, Andrea Marcon and Xavier Capdet.
Also during her student period she performed in the Great Hall of the Moscow Auditorium in the roles of Olga (Eugenie Onegin), Lyubasha (The Tsar's Bride), Flora Bervoix (La traviata). In 2015 she also joined the Academie de l'Opéra de Monte-Carlo, focusing on Italian and French repertoire and working with Laurent Campellone, Corrado Rovaris, Kira Parfeevets, Antoine Palloc, Samuele Palla and Ruggero Raimondi, among others.
In 2016 she was chosen by Maestro Michel Plasson to join the Académie Internationale de la Musique Française, deeply studying French repertoire and particularly title role of Bizet’s Carmen (with maestro Michel Plasson, Emmanuel Plasson, Sophie Koch, José Van Dam).
During the 2017-2018 season she was a member of the Zurich International Opera Studio where, among other roles, she played Wowkle in La Fanciulla del west, with Marco Armilliato, Flora in La Traviata with Fabio Luisi, 3rd flower maiden in Parsifal with Simone Young, etc. and perfected her vocal technique with teachers such as Vesselina Kasarova and Brigitte Fassbender.
In August 2018 she made her debut in the title role of Carmen, a world premiere at the Teatro Bradesco (Sao Paulo, Brazil) under the baton of Rodolfo García Vázquez.
She has worked with maestros such as T. Currentzis, M. Armiliato, G. Rohzdestvensky, F. Luisi, Diego Fasolis, S. Young or R. Milanov, among others.
In the past seasons, she has performed leading roles in Carmen at the Maggio Musicale Fiorentino with Sesto Quatrini and Leo Muscato, Werther on tour in Italy with Stefano Vizioli and Francesco Pasqualetti and L'italiana in Algeri at the Auditorio Manuel de Falla in Granada with Giancarlo Andretta.
Among his recent and upcoming engagements we highlight Orphée by Philip Glass at the Teatro Real in Madrid, La damnation de Faust with the Orquesta Sinfónica de Sao Paulo, a concert with songs by Pauline Viardot with the Orquesta Sinfónica de Castilla y León and Mº Thierry Fischer, Lieder eines fahrenden gesellen with the Orquesta Ciudad de Granada, Dvorak's Requiem with the Orquesta Filarmónica de Málaga. Soon she will also be starring at the Oviedo Opera.
Date last modified: October 2022 Not to be altered without permission. Please delete any previous biographic material.
2022-2023 Performances
ORPHÉE BY PHILIP GLASS 21 September 2022 20:30 Teatro Real, Madrid 22 September 2022 20:30 Teatro Real, Madrid 23 September 2022 20:30 Teatro Real, Madrid 24 September 2022 20:30 Teatro Real, Madrid 25 September 2022 19:00 Teatro Real, Madrid STABAT MATER DE DVORAK 30 March 2023 20:00 Malaga
LA DAMNATION DE FAUST 11 May 2023 São Paulo, Brazil 12 May 2023 São Paulo, Brazil 13 May 2023 São Paulo, Brazil
2021-2022 Performances
CONCERT WITH THE ORQUESTA SINFÓNICA DE CASTILLA Y LEÓN 04 November 2021 19:30 Auditorio Miguel Delibes, Valladolid 05 November 2021 19:30 Auditorio Miguel Delibes, Valladolid 06 November 2021 19:30 Auditorio Miguel Delibes, Valladolid
LIEDER EIENES FAHRENDEN GESELLEN WITH THE ORQUESTA CIUDAD DE GRANADA 19 November 2021 19:30 Auditorio Manuel de Falla, Granada 20 November 2021 19:30 Auditorio Manuel de Falla, Granada
Gallery
Multimedia
Werther
Carmen
Reviews
LA ITALIANA EN ARGEL. GRANADA. 2019
"Unquestionable was the light with which the alto Karina Demuroba (sic) shone in the role of Isabella, the Italian who decides to travel to Algiers to find her beloved Lindoro; from her first appearance her voice stood out with the clarity and beauty of a privileged instrument, of great timbral richness and expressive power. Each of her appearances was of the highest quality, and was accompanied by a rapturous stage presence". Gonzalo Roldán (Granada Hoy)