Agenda 2024-2025
Born in Moscow, she graduated as best student of the year in 2018 from the Tchaikovsky National Conservatory in Moscow under the mentorship of Professor Anatoly Loshak. While at the Conservatory she made her international debut in the role of Laura in Iolanta at the Aix-en-Provence Festival in 2015, which she also performed at the Opéra National de Lyon in 2016, under the stage direction of Peter Sellars and with musical direction by Teodor Currentzis (2015) and Martyn Brabbins (2016).
In 2016 she won the First Prize at the I International Mozart Opera Competition in Granada and, as a result, in 2017 she made her debut at the Auditorio Manuel de Falla in the role of Dorabella in Così fan tutte, under the direction of Giancarlo Andretta, Andrea Marcon and Xavier Capdet.
Also during her student days she performed at the Great Hall of the Moscow Auditorium the roles of Olga (Eugenie Onegin), Lyubasha (The Tsar's Bride), Flora Bervoix (La traviata). In 2015 she was also part of the Academie de l'Opéra de Monte-Carlo, focusing on Italian and French repertoire and working with Laurent Campellone, Corrado Rovaris, Kira Parfeevets, Antoine Palloc, Samuele Palla and Ruggero Raimondi, among others.
In 2016 she was chosen by Maestro Michel Plasson to join the Académie Internationale de la Musique Française, studying in depth the French repertoire and particularly the title role of Bizet's Carmen (with Maestro Michel Plasson, Emmanuel Plasson, Sophie Koch and José Van Dam).
During the 2017-2018 season she was a member of the Zurich International Opera Studio where, among other roles, she performed Wowkle in La Fanciulla del west, with Marco Armilliato, Flora in La Traviata with Fabio Luisi, 3rd flower maiden in Parsifal with Simone Young, etc and perfected her vocal technique with teachers such as Vesselina Kasarova and Brigitte Fassbender.
In August 2018 she made her debut in the title role of Carmen, a world premiere at the Teatro Bradesco (Sao Paulo, Brazil) under the direction of Rodolfo García Vázquez.
She has worked with maestros such as T. Currentzis, M. Armiliato, G. Rohzdestvensky, F. Luisi, Diego Fasolis, S. Young and R. Milanov, among others.
In the last seasons, she has performed leading roles in Carmen at the Maggio Musicale Fiorentino with Sesto Quatrini and Leo Muscato, Werther on tour in Italy with Stefano Vizioli and Francesco Pasqualetti and L'italiana in Algeri at the Auditorio Manuel de Falla in Granada with Giancarlo Andretta.
Among her recent performances we highlight Orphée by Philip Glass at the Teatro Real in Madrid, La Damnation de Faust with the Sao Paulo Symphony Orchestra, L'enfant et les sortilèges at the Tenerife Opera, Romeo et Juliette at the Teatre Principal in Palma and Medée at the Mérida Festival, in addition to concerts with songs by Pauline Viardot with the Castilla y León Symphony Orchestra and Mº Thierry Fischer, the Lieder eines fahrenden gesellen with the City of Granada Orchestra and Dvorak's Stabat Mater with the Philharmonic Orchestra from Málaga.
Her commitments next season include Il barbiere di Siviglia in Oviedo and La traviata at the Teatro Real, among others.
Date last modified: May 2024
Not to be altered without permission. Please delete any previous biographic material.
In 2016 she won the First Prize at the I International Mozart Opera Competition in Granada and, as a result, in 2017 she made her debut at the Auditorio Manuel de Falla in the role of Dorabella in Così fan tutte, under the direction of Giancarlo Andretta, Andrea Marcon and Xavier Capdet.
Also during her student days she performed at the Great Hall of the Moscow Auditorium the roles of Olga (Eugenie Onegin), Lyubasha (The Tsar's Bride), Flora Bervoix (La traviata). In 2015 she was also part of the Academie de l'Opéra de Monte-Carlo, focusing on Italian and French repertoire and working with Laurent Campellone, Corrado Rovaris, Kira Parfeevets, Antoine Palloc, Samuele Palla and Ruggero Raimondi, among others.
In 2016 she was chosen by Maestro Michel Plasson to join the Académie Internationale de la Musique Française, studying in depth the French repertoire and particularly the title role of Bizet's Carmen (with Maestro Michel Plasson, Emmanuel Plasson, Sophie Koch and José Van Dam).
During the 2017-2018 season she was a member of the Zurich International Opera Studio where, among other roles, she performed Wowkle in La Fanciulla del west, with Marco Armilliato, Flora in La Traviata with Fabio Luisi, 3rd flower maiden in Parsifal with Simone Young, etc and perfected her vocal technique with teachers such as Vesselina Kasarova and Brigitte Fassbender.
In August 2018 she made her debut in the title role of Carmen, a world premiere at the Teatro Bradesco (Sao Paulo, Brazil) under the direction of Rodolfo García Vázquez.
She has worked with maestros such as T. Currentzis, M. Armiliato, G. Rohzdestvensky, F. Luisi, Diego Fasolis, S. Young and R. Milanov, among others.
In the last seasons, she has performed leading roles in Carmen at the Maggio Musicale Fiorentino with Sesto Quatrini and Leo Muscato, Werther on tour in Italy with Stefano Vizioli and Francesco Pasqualetti and L'italiana in Algeri at the Auditorio Manuel de Falla in Granada with Giancarlo Andretta.
Among her recent performances we highlight Orphée by Philip Glass at the Teatro Real in Madrid, La Damnation de Faust with the Sao Paulo Symphony Orchestra, L'enfant et les sortilèges at the Tenerife Opera, Romeo et Juliette at the Teatre Principal in Palma and Medée at the Mérida Festival, in addition to concerts with songs by Pauline Viardot with the Castilla y León Symphony Orchestra and Mº Thierry Fischer, the Lieder eines fahrenden gesellen with the City of Granada Orchestra and Dvorak's Stabat Mater with the Philharmonic Orchestra from Málaga.
Her commitments next season include Il barbiere di Siviglia in Oviedo and La traviata at the Teatro Real, among others.
Date last modified: May 2024
Not to be altered without permission. Please delete any previous biographic material.
2024-2025 Performances
MEDEA / MÉDÉE
27 of June of 2024 Teatro Romano (Mérida)
29 of June of 2024 Teatro Romano (Mérida)
IL BARBIERE DI SIVIGLIA
05 of October of 2024 Ópera de Oviedo
08 of October of 2024 Ópera de Oviedo
10 of October of 2024 Ópera de Oviedo
11 of October of 2024 Ópera de Oviedo
12 of October of 2024 Ópera de Oviedo
TRAVIATA
24 of June of 2025 Teatro Real (Madrid)
25 of June of 2025 Teatro Real (Madrid)
27 of June of 2025 Teatro Real (Madrid)
28 of June of 2025 Teatro Real (Madrid)
29 of June of 2025 Teatro Real (Madrid)
01 of July of 2025 Teatro Real (Madrid)
02 of July of 2025 Teatro Real (Madrid)
04 of July of 2025 Teatro Real (Madrid)
05 of July of 2025 Teatro Real (Madrid)
08 of July of 2025 Teatro Real (Madrid)
10 of July of 2025 Teatro Real (Madrid)
14 of July of 2025 Teatro Real (Madrid)
16 of July of 2025 Teatro Real (Madrid)
17 of July of 2025 Teatro Real (Madrid)
19 of July of 2025 Teatro Real (Madrid)
20 of July of 2025 Teatro Real (Madrid)
21 of July of 2025 Teatro Real (Madrid)
23 of July of 2025 Teatro Real (Madrid)
27 of June of 2024 Teatro Romano (Mérida)
29 of June of 2024 Teatro Romano (Mérida)
IL BARBIERE DI SIVIGLIA
05 of October of 2024 Ópera de Oviedo
08 of October of 2024 Ópera de Oviedo
10 of October of 2024 Ópera de Oviedo
11 of October of 2024 Ópera de Oviedo
12 of October of 2024 Ópera de Oviedo
TRAVIATA
24 of June of 2025 Teatro Real (Madrid)
25 of June of 2025 Teatro Real (Madrid)
27 of June of 2025 Teatro Real (Madrid)
28 of June of 2025 Teatro Real (Madrid)
29 of June of 2025 Teatro Real (Madrid)
01 of July of 2025 Teatro Real (Madrid)
02 of July of 2025 Teatro Real (Madrid)
04 of July of 2025 Teatro Real (Madrid)
05 of July of 2025 Teatro Real (Madrid)
08 of July of 2025 Teatro Real (Madrid)
10 of July of 2025 Teatro Real (Madrid)
14 of July of 2025 Teatro Real (Madrid)
16 of July of 2025 Teatro Real (Madrid)
17 of July of 2025 Teatro Real (Madrid)
19 of July of 2025 Teatro Real (Madrid)
20 of July of 2025 Teatro Real (Madrid)
21 of July of 2025 Teatro Real (Madrid)
23 of July of 2025 Teatro Real (Madrid)
Gallery
Multimedia
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Werther
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Carmen
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Reviews
LA ITALIANA EN ARGEL. GRANADA. 2019
"Unquestionable was the light with which the alto Karina Demuroba (sic) shone in the role of Isabella, the Italian who decides to travel to Algiers to find her beloved Lindoro; from her first appearance her voice stood out with the clarity and beauty of a privileged instrument, of great timbral richness and expressive power. Each of her appearances was of the highest quality, and was accompanied by a rapturous stage presence". Gonzalo Roldán (Granada Hoy)