Mezzo-soprano from Bogota, Colombia, graduated from the conservatory of the National University of Colombia. She continued her studies in Europe at the Liceu Conservatory in Barcelona, the Centro de perfeccionamiento Plácido Domingo del Palau de les Arts Reina Sofía in Valencia, and graduated last year from the Academia del Teatro alla Scala in Milan.
In 2017 she won first place in the Concurso de canto lírico Ciudad de Bogotá organized by the Orquesta Filarmónica de Bogotá; in 2019 the Mirna Lacambra Competition in Sabadell, Spain; in 2020 the audience award of the Concorso lirico internazionale di Portofino and in 2021 first place in the Concorso di canto lirico virtuale Fiorenza Cedolins.
As a mezzo-soprano soloist she has sung Igor Stravinsky's The Marriage, Ludwig van Beethoven's Symphony No. 9 Op. 125, Gustav Mahler's Symphony No. 2, The Resurrection, Prokofiev's cantata Alexander Nevsky, and J. S. Bach's Mass in B minor, among others.
She has performed the role of Benita in the zarzuela La malquerida by Manuel Penella at the Palau de les Arts Reina Sofía, conducted by Santiago Serrate and Emilio López. The role of Angelina in the opera La Cenerentola by G. Rossini at the Bonn Theater in Germany, conducted by Ruben Dubrovsky and Leo Muscato; the same role in a reduced version at the Teatro alla Scala in Milan, conducted by Pietro Mianiti; the role of Meg in the production Unendlicher Falstaff by Verdi at the Lausitz Festival in Germany, conducted by Daniele Abbado; and she has recently debuted the role of Adalgisa in the opera Norma by Bellini in Granada, Spain, conducted by Carlos Aragón.
Her upcoming engagements include her participation in the Rossini Opera Festival 2022 in Pesaro, Italy, where she will sing the opera La Gazzeta and the semi-staged concert La Rossinimania.
Date last modified: May 2022
Not to be altered without permission. Please delete any previous biographic material
In 2017 she won first place in the Concurso de canto lírico Ciudad de Bogotá organized by the Orquesta Filarmónica de Bogotá; in 2019 the Mirna Lacambra Competition in Sabadell, Spain; in 2020 the audience award of the Concorso lirico internazionale di Portofino and in 2021 first place in the Concorso di canto lirico virtuale Fiorenza Cedolins.
As a mezzo-soprano soloist she has sung Igor Stravinsky's The Marriage, Ludwig van Beethoven's Symphony No. 9 Op. 125, Gustav Mahler's Symphony No. 2, The Resurrection, Prokofiev's cantata Alexander Nevsky, and J. S. Bach's Mass in B minor, among others.
She has performed the role of Benita in the zarzuela La malquerida by Manuel Penella at the Palau de les Arts Reina Sofía, conducted by Santiago Serrate and Emilio López. The role of Angelina in the opera La Cenerentola by G. Rossini at the Bonn Theater in Germany, conducted by Ruben Dubrovsky and Leo Muscato; the same role in a reduced version at the Teatro alla Scala in Milan, conducted by Pietro Mianiti; the role of Meg in the production Unendlicher Falstaff by Verdi at the Lausitz Festival in Germany, conducted by Daniele Abbado; and she has recently debuted the role of Adalgisa in the opera Norma by Bellini in Granada, Spain, conducted by Carlos Aragón.
Her upcoming engagements include her participation in the Rossini Opera Festival 2022 in Pesaro, Italy, where she will sing the opera La Gazzeta and the semi-staged concert La Rossinimania.
Date last modified: May 2022
Not to be altered without permission. Please delete any previous biographic material
2021-2022 Performances
LA CENERENTOLA
7 November 2021 Theater Bonn
18 November 2021 Theater Bonn
27 November 2021 Theater Bonn
05 December 2021 Theater Bonn
10 December 2021 Theater Bonn
29 December 2021 Theater Bonn
31 December 2021 Theater Bonn
06 January 2022 Theater Bonn
15 January 2022 Theater Bonn
23 January 2022 Theater Bonn
05 February 2022 Theater Bonn
19 February 2022 Theater Bonn
CONCERT ORLANDO: HÄNDEL VS. VIVALDI
15 November 2021 Teatro Mayor, Festival Internacional de Música Clásica de Bogotá
NORMA
12 March 2022 Teatro Medina Elvira, Atarfe
LA GAZZETTA
10 August 2022 Teatro Rossini, Rossini Opera Festival, Pesaro
13 August 2022 Teatro Rossini, Rossini Opera Festival, Pesaro
15 August 2022 Teatro Rossini, Rossini Opera Festival, Pesaro
18 August 2022 Teatro Rossini, Rossini Opera Festival, Pesaro
ROSSINIMANIA
19 August 2022 Teatro Rossini, Rossini Opera Festival, Pesaro
7 November 2021 Theater Bonn
18 November 2021 Theater Bonn
27 November 2021 Theater Bonn
05 December 2021 Theater Bonn
10 December 2021 Theater Bonn
29 December 2021 Theater Bonn
31 December 2021 Theater Bonn
06 January 2022 Theater Bonn
15 January 2022 Theater Bonn
23 January 2022 Theater Bonn
05 February 2022 Theater Bonn
19 February 2022 Theater Bonn
CONCERT ORLANDO: HÄNDEL VS. VIVALDI
15 November 2021 Teatro Mayor, Festival Internacional de Música Clásica de Bogotá
NORMA
12 March 2022 Teatro Medina Elvira, Atarfe
LA GAZZETTA
10 August 2022 Teatro Rossini, Rossini Opera Festival, Pesaro
13 August 2022 Teatro Rossini, Rossini Opera Festival, Pesaro
15 August 2022 Teatro Rossini, Rossini Opera Festival, Pesaro
18 August 2022 Teatro Rossini, Rossini Opera Festival, Pesaro
ROSSINIMANIA
19 August 2022 Teatro Rossini, Rossini Opera Festival, Pesaro
Galería
Multimedia
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La Cenerentola
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Mira, o Norma
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Reviews
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"For her part, Ainhoa Arteta as Alice was a display of stage charisma and, moreover, vocally she was generous with a voice that fulfilled all the technical demands, thus showing great versatility". César Rus (Ópera Actual)
"Ainhoa Arteta excelled in colour, warmth, projection, phrasing and self-confidence." Daniel Martínez Babiloni (Bachtrack)
"The theatrical dynamics worked perfectly, not only thanks to Martone, but also to the acting talents of all the soloists, among whom Ainhoa Arteta's Alice Ford stood out, showing tremendous involvement in her work. The Basque soprano deserved the podium for her musicality, for her beautiful voice at the service of the opera, well placed, well timbred, for her excellent singing line and construction of phrases, which make her one of the most complete tiples on the scene today. She sang like one of the greats...". Jacobo Ríos-Capé Carpi (Valencia Plaza)
"Ainhoa Arteta excelled in colour, warmth, projection, phrasing and self-confidence." Daniel Martínez Babiloni (Bachtrack)
"The theatrical dynamics worked perfectly, not only thanks to Martone, but also to the acting talents of all the soloists, among whom Ainhoa Arteta's Alice Ford stood out, showing tremendous involvement in her work. The Basque soprano deserved the podium for her musicality, for her beautiful voice at the service of the opera, well placed, well timbred, for her excellent singing line and construction of phrases, which make her one of the most complete tiples on the scene today. She sang like one of the greats...". Jacobo Ríos-Capé Carpi (Valencia Plaza)
Interviews
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