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Interpretación deslumbrante de Lianna Haroutounian como Amelia en la Ópera de San Francisco
12 de septiembre de 2024 |
Tras el estreno, el pasado 6 de septiembre, de Un ballo in maschera de Verdi en la Ópera de San Francisco, la prensa especializada ha destacado el fantástico trabajo realizado por la soprano Lianna Haroutounian. El San Francisco Chronicle pone de relieve la majestuosidad de la soprano armenia:
"It’s great to have Fabiano and Haroutounian back, and they make an exceptionally arresting duo as the forbidden lovers. [...] Meanwhile, Haroutounian’s warmly beautiful soprano and finely sculpted phrasing touch your heart in Amelia’s great arias “Ma dall’arido stelo divulsa (When I have plucked the herb)” and “Morrò, ma prima in grazia (I shall die, but first let me hold my child).”
Por su parte, Opera Wire destaca el color de voz de la soprano:
"Amelia, sung with warmth, lovely legato and rich color, by Armenian soprano Lianna Haroutounian, while a major character, and vital to the plot, seemed dramatically more placed in the background than foreground. Even in her well-delivered scenes of guilty love, while she gave a vibrant sense of her torment, the clash between her guilty love, her wifely vows, her motherly adoration, the weight of each scene favored her men and the era’s politics."
"It’s great to have Fabiano and Haroutounian back, and they make an exceptionally arresting duo as the forbidden lovers. [...] Meanwhile, Haroutounian’s warmly beautiful soprano and finely sculpted phrasing touch your heart in Amelia’s great arias “Ma dall’arido stelo divulsa (When I have plucked the herb)” and “Morrò, ma prima in grazia (I shall die, but first let me hold my child).”
Por su parte, Opera Wire destaca el color de voz de la soprano:
"Amelia, sung with warmth, lovely legato and rich color, by Armenian soprano Lianna Haroutounian, while a major character, and vital to the plot, seemed dramatically more placed in the background than foreground. Even in her well-delivered scenes of guilty love, while she gave a vibrant sense of her torment, the clash between her guilty love, her wifely vows, her motherly adoration, the weight of each scene favored her men and the era’s politics."
